10th February 2025

Olympic Mockery of Da Vinci’s Last Supper: A Brazen Display

pagan-olympics-last-supper-parody-mockery

The controversy surrounding the Olympics’ opening scene has sparked outrage among many observers. The scene, a clear depiction of the Last Supper, blatantly mocks Leonardo da Vinci’s revered painting. Despite the official narrative, the truth is undeniable: the opening scene was a grotesque parody meant to provoke and insult and had absolutely nothing to do with the celebration of sportsmanship.

Evidence of Mockery

The opening ceremony was explicitly inspired by Leonardo da Vinci’s “The Last Supper,” as confirmed by the organizers (The Wrap). The depiction featured drag performers and a lesbian actress donning a crown, a stark contrast to the solemnity and reverence of the original artwork.

Critics argue that this scene resembles a Bacchanalia, an ancient Roman festival banned in 186 BC due to its excessive and immoral nature (Historical Index). The Romans themselves saw fit to suppress such displays, yet they are being revived and celebrated in contemporary society.

If this is the case, why delete the footage in question? The Olympics reacted to this backlash by deleting all the footage of the opening scene as quickly and as fast as they could, however, too late for the internet had already downloaded and shared the content. In the same breadth. YouTube pulled copies of the video being uploaded to their platform.

Revival of Pagan Traditions

The resurgence of pagan traditions in modern society further highlights this cultural shift. Since the mid-20th century, there has been a significant revival of ancient rituals and beliefs:

  • Ásatrú in Iceland: The Ásatrú Association, honouring Norse mythology, was recognized in 1973 and has grown significantly (Ásatrú Association).
  • Forn Siðr in Denmark: This group, focusing on reviving ancient Nordic religious practices, was officially recognized in 2003 (Forn Siðr).
  • Romuva in Lithuania: Efforts to revive this pre-Christian Baltic faith have persisted, seeking official recognition as a religion (Romuva).
  • Modern Baal Worship: Recent instances have seen people bowing and worshipping Baal, highlighting a return to ancient pagan practices (Charisma).

This revival is not just about cultural diversity but also about challenging and mocking established religious traditions, particularly Christianity. If a similar depiction had been made against Muslims or Hindus, the reaction would have been far more severe.

Biblical Perspective

The Bible explicitly warns against such practices. In Exodus, God commands, “You shall have no other gods before Me. You shall not make for yourself an idol in the form of anything in the heavens above, on the earth below, or in the waters beneath…” – Exodus 20:2. This is part of the Ten Commandments, a foundational element of Christian faith.

By allowing the depiction of the Last Supper with drag performers and a lesbian wearing a crown, the Olympics openly mocked this sacred scene. “A woman shall not wear a man’s garment, nor shall a man put on a woman’s cloak, for whoever does these things is an abomination to the Lord your God.” – Deuteronomy 22:5

The Bible further states, “Do not be deceived: neither the sexually immoral, nor idolaters, nor adulterers, nor men who practice homosexuality… will inherit the kingdom of God. And such were some of you. But you were washed, you were sanctified, you were justified in the name of the Lord Jesus Christ and by the Spirit of our God.” – 1 Corinthians 6:9–11

Open Display of Disrespect

The organizers’ claims that the scene was inspired by “The Last Supper” are contradicted by the very performance. Barbara Butch, the actress who portrayed Jesus, posted “The New Gay Testament” on her Instagram story (image below). This choice of words clearly indicates an intent to mock and provoke, not to honour or respect.

This display was not hidden; it was a deliberate, grotesque parody meant to insult Christian beliefs. The evidence is clear and undeniable. The Olympic opening ceremony was a blatant mockery of da Vinci’s Last Supper and, by extension, of the Christian faith.

Weak Apology

In response to the backlash, an Olympic official issued an apology, but it was widely regarded as weak and insufficient (Outkick). The apology failed to address the core issues and did little to mitigate the offence taken by many Christians. This half-hearted attempt at reconciliation only added fuel to the fire, further highlighting the disrespect and insensitivity of the organisers.

Conclusion

The Olympic organisers did not merely pay homage to a historical painting; they twisted it into a display that mocks deeply held religious beliefs. This act of disrespect should not go unnoticed or unchallenged. The true nature of the opening scene is a brazen display of contempt for Christianity, and it serves as a stark reminder of the growing trend to undermine and mock traditional Christian values.